Comic book collectors have, in a stark mercenary fashion, transformed the old adage “You can’t judge a book by its cover” into “You can value a comic book by its cover”. This assertion doesn’t carry with it any aesthetic or literary gravity, but instead receives its charge from the evolution, over the last half-century, of the hobby of comic collecting into a commodity-based marketplace governed by speculation and investment concerns. In addition to factors such as the first issue of a title, the first appearances of a character, and an artist’s first comic book work, covers themselves have become a…
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