Barry Forshaw on the new disc issue of Trevor Preston’s Out – even as the company issuing it goes under…
I’m pleased with the booklet essay I’ve written for the reappearance (in spruced-up form) of Trevor Preston’s ground-breaking crime drama Out – – even though quantities may be limited owing to the problems of Network, the company issuing it. Out is a reminder of how things have changed regarding such genre material. For many years, crime series (on both cinema and TV screens) was treated with critical disdain, consolidated by the fact that audiences – while enjoying it – regarded the field as nothing more than violent entertainment. But critical attention was paid when it became apparent that ambitious filmmakers were using the language of classic crime cinema (gangsters, robberies, maverick police officers) in new and ingenious ways, and there were even provocative commentaries on society itself – not just on those who break the law. There is a parallel here with the standing of crime fiction in the UK, similarly afforded little respect until such writers as P. D. James enriched it with elements of psychology and characterisation, with the result that crime fiction on the printed page is now frequently reviewed in the broadsheets alongside more ‘literary’ genres. To some degree, there has been a parallel shift in TV crime – an example would be the recent praise for Jed Mercurio’s Line of Duty . But the crucial breakthrough in terms of critical and viewer acclaim was Trevor Preston’s hard-edged 1978 crime drama Out . But buy it now – while it’s available!

